Works Cited
Ameisen, Jean-Claude. La Sculpture du vivant. Le suicide cellulaire ou la mort créatrice (Paris: Seuil, 2003).
Babich, Babette. “Mousike Techne: The Philosophical Practice of Music in Plato, Nietzsche, and Heidegger.” Between Philosophy and Poetry: Writing, Rhythm, History. Eds. Massimo Verdicchio & Robert Burch. New York; London: Continuum, 2002.
Benjamin, Walter. “The Concept of Criticism in German Romanticism.” Selected Writings, Vol. I, 1913–1926. Cambridge, MA: Belknap Press, 1996; 1999.
Cohen, Jonathan R. Science, Culture, and Free Spirits: A Study of Nietzsche’s Human, All Too Human. Amherst: Prometheus Books, 2009.
Crawford, Claudia. “Nietzsche’s Psychology and Rhetoric of World Redemption: Dionysus versus the Crucified.” Nietzsche and Depth Psychology. Eds. Jacob Golomb, Weaver Santaniello, and Ronald Lehrer. New York: SUNY Press, 1999.
Elias, Camelia. The Fragment: Towards a History and Poetics of a Performative Genre. Bern; Berlin: Peter Lang, 2004.
Grundlehner, Philip. The Poetry of Friedrich Nietzsche. Oxford: Oxford University Press, 1986.
Lampert, Laurence. Nietzsche’s Task: An Interpretation of Beyond Good and Evil. Connecticut: Yale University Press, 2004.
Liebert, Georges. Nietzsche and Music. Chicago: University of Chicago Press, 2004.
Löwith, Karl. Nietzsche’s Philosophy of Eternal Return. California: University of California Press, 1997.
Nietzsche, Friedrich. Daybreak. Tr. by R.J. Hollingdale. Cambridge: Cambridge University Press, 1982.
—Human, All Too Human. Tr. by R.J. Hollingdale. Cambridge: Cambridge University Press, 1986.
—The Gay Science. Tr. by Walter Kaufmann. New York: Random House, 1974.
—Thus Spoke Zarathustra. Tr. by Graham Parkes. Oxford: Oxford University Press, 2005.
— Beyond Good and Evil. New York: Random House, 1968.
— Twilight of the Idols. Tr. by Duncan Large. Oxford: Oxford University Press, 1998. Tr. by R.J. Hollingdale. New York: Penguin Books, 1968.
— Ecce Homo. Tr. by Duncan Large. Oxford: Oxford University Press, 2007.
— Briefwechsel Kritische Gesamtausgabe. Eds. Giorgio Colli, Mazzino Montinari. Berlin: Walter de Gruyter, 1977.
http://nietzschesource.org
Paz, Octavio. The Bow and the Lyre. New York: McGraw Hill, 1973.
Pothen, Philip. Nietzsche and the Fate of Art. London: Ashgate, 2002.
Schaberg, William. The Nietzsche Canon: A Publication History and Bibliography. Chicago: University of Chicago Press, 1995.
Schlegel, Friedrich. On the Study of Greek Poetry. New York: SUNY Press, 2001.
[1] KSB 8: 566. From a letter dated December 30, 1888.
[2] KSB 8: 575. This sentence is taken from a postcard Nietzsche wrote to Heinrich Köselitz.
[3] The Idylls of Messina and the Dionysos Dithyrambs were the sole works of Nietzsche’s composed strictly of verse. The first, a cycle of eight poems, was featured in a magazine edited by his publisher Schmeitzner in 1882 and thereafter listed by Nietzsche himself on the back cover of his subsequent books as one of his works. The latter was his last complete work. During his final sane days, he was proofreading the book.
[4] Phillip Pothen expresses this same view: “Nietzsche’s suspicion concerning art is perhaps the greatest of any since Plato’s, and even, it might be said, including Plato’s.” See Pothen’s Nietzsche and the Fate of Art (London: Ashgate, 2002), 12.